These prints are a limited edition run of ten per color. They are individually numbered (i.e. 1/10, 2/10/ … 10/10) on the left, titled in the center, and signed and dated on the right. Once all ten are sold no more will be made in this exact manner, so get them before they are gone.
$ 32.00
In stock
$ 32.00
In stock
These prints are a limited edition run of ten per color. They are individually numbered (i.e. 1/10, 2/10/ … 10/10) on the left, titled in the center, and signed and dated on the right. Once all ten are sold no more will be made in this exact manner, so get them before they are gone.
STOCK
Paper: Hahnemühle William Turner FineArt Paper
Paper Weight: 310 gsm
Thickness: 21 mm
Material: 100% rag cotton
Surface Finish: Matte
Quality: Archival, Acid-Free
Printer: Canon iPF8400
Ink: Canon Lucia Inks
Dmax & Color Gamut Level: Excellent
| Size | 12 x 12 |
|---|---|
| Color | Red / Black |
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Printed on Hahnemühle FineArt paper
The stock is a white, 100% cotton paper, William Turner. Guaranteed to meet archival standards. The mold-made, natural line watercolor paper features a distinct, slightly coarse, textured surface that gives the artwork an elegant look. With its premium matte inkjet coating, William Turner meets the highest industry standards regarding density, color gamut, color graduation, and image sharpness while preserving the special touch and feel of genuine art paper.
Optimal Storage Conditions for Print Longevity
Use and store ideally at a relative humidity of 35 to 65% and a temperature of 10 to 30° C (50° – 86°F.)
All recommendations and product indications are for your guidance and are subject to Hahnemühle test criteria, which remain subject to change without prior notice. The consistency of results is not guaranteed.
Use care in handling printed material, surface susceptible to abrasion.
Store papers in archive quality envelopes, folders, and boxes.
Use only archive grade tapes and glues for mounting & framing.
ARTWORK SHIPPING DETAILS
All paintings on stretched canvas are shipped “Ready To Hang.” They are hooked and wired on the back with the appropriate hardware.
Prints and works on paper typically need to be framed. They do not come framed unless otherwise noted.
Additionally, you will receive an official Certificate of Authenticity to prove the work is genuine and is to be kept with the work for the entirety of its lifespan.
Most art shipments are handled by FedEx.
Carrier subject to change depending on rates, timeframes, and other circumstances. Our goal is to make sure you receive the art in the shortest period of time and by the safest means.
Rates are based on the total weight (artwork + all packaging) and timeframe, as well as, time of year (i.e. rates can increase around the holiday seasons).
Shipping insurance is provided, but additional or separate arrangements can be discussed.
Local free pick-up from the studio is always available, you must have your own transportation and assistance to help load and unload your vehicle. Contact to make arrangements.
Each piece of art ships individually directly from the studio, on occasion smaller artworks purchased on the same transaction may be packaged together.
Art ships flat in a sturdy, well-protected cardboard box to ensure their safe transport. Expect your artwork to arrive with plenty of package support. Staying eco-conscious about the usage of materials is always taken into consideration, so expect to see reused cardboard and other materials inside.
Art is first wrapped in acid-free archival tissue paper or Glassine paper. Next, it’s covered with plastic sheeting, poly wrap, etc. for protection against moisture and dust. Then bubble wrapped including cardboard corner protectors. Finally supported by either foam board or two-ply layers of cardboard to line the inside of the box.
Prints and other works on paper are shipped flat in chipboard mailers. Inside they are protected by cellophane wrapping and layers of foam or cardboard.
Oversize works have two options:
Crated
This means shipping the art stretched as-is, in a constructed wooden container. This method is usually more costly.
Rolled
This is a more cost-effective, but still safe, method. First, the art is carefully removed from its stretcher bars, then the canvas is delicately rolled with layers of tissue/Glassine paper and plastic sheeting to keep it from sticking to itself. Finally, its packaged in a large tube or triangle with additional filler to prevent jostling.
Note:
If there is a concern that the art could be damaged by rolling, do not worry, this is a very common shipping method. Acrylic is very pliable, as long as it doesn’t reach extreme temperatures below approximately 40F / 5C. Northbound winter deliveries might be forewarned to postpone.
All paintings on stretched canvas are shipped “Ready To Hang.” They are hooked and wired on the back with the appropriate hardware.
Prints and works on paper typically need to be framed. They do not come framed unless otherwise noted.
Additionally, you will receive an official Certificate of Authenticity to prove the work is genuine and is to be kept with the work for the entirety of its lifespan.
Most art shipments are handled by FedEx.
Carrier subject to change depending on rates, timeframes, and other circumstances. Our goal is to make sure you receive the art in the shortest period of time and by the safest means.
Rates are based on the total weight (artwork + all packaging) and timeframe, as well as, time of year (i.e. rates can increase around the holiday seasons).
Shipping insurance is provided, but additional or separate arrangements can be discussed.
Local free pick-up from the studio is always available, you must have your own transportation and assistance to help load and unload your vehicle. Contact to make arrangements.
Each piece of art ships individually directly from the studio, on occasion smaller artworks purchased on the same transaction may be packaged together.
Art ships flat in a sturdy, well-protected cardboard box to ensure their safe transport. Expect your artwork to arrive with plenty of package support. Staying eco-conscious about the usage of materials is always taken into consideration, so expect to see reused cardboard and other materials inside.
Art is first wrapped in acid-free archival tissue paper or Glassine paper. Next, it’s covered with plastic sheeting, poly wrap, etc. for protection against moisture and dust. Then bubble wrapped including cardboard corner protectors. Finally supported by either foam board or two-ply layers of cardboard to line the inside of the box.
Prints and other works on paper are shipped flat in chipboard mailers. Inside they are protected by cellophane wrapping and layers of foam or cardboard.
Oversize works have two options:
Crated
This means shipping the art stretched as-is, in a constructed wooden container. This method is usually more costly.
Rolled
This is a more cost-effective, but still safe, method. First, the art is carefully removed from its stretcher bars, then the canvas is delicately rolled with layers of tissue/Glassine paper and plastic sheeting to keep it from sticking to itself. Finally, its packaged in a large tube or triangle with additional filler to prevent jostling.
Note:
If there is a concern that the art could be damaged by rolling, do not worry, this is a very common shipping method. Acrylic is very pliable, as long as it doesn’t reach extreme temperatures below approximately 40F / 5C. Northbound winter deliveries might be forewarned to postpone.
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